Back in 2010, after Annette, Heather, Julie, and I had developed this idea and written the first 50 pages of the first set of Newport Ladies Bookclub books, we had a meeting with our publishers. I was under contract with Deseret Book and the three of them were under contract with Covenant so we brought them together to notify them of this project which was unlike anything any of us (including the publishers) had ever done.
We pitched the idea of the series to them and brainstormed how this would work with two publishers interests to consider. We all then went our separate ways and for almost a year we had no idea how it would all work out. We expected that one publisher would end up doing all the books--of which we only had four planned at the time--but that's not how it came together. Instead, Deseret Book and Covenant agreed to work together on the books. They would coordinate covers and typesetting and release dates and marketing but, in the end, focus on the book(s) they were producing by the author(s) they had under contract. And it worked great. I was very pleased with the way they worked together and, from my perspective, things went quite smoothly.
When all four books were done, Covenant purchased some copies of Daisy in order to make a 'set' of the books, and then we began exploring an e-book bundle. That's where things started to struggle. Would Covenant 'buy' some e-books of Daisy and bundle them with their titles? How would that work with copyrights and listings and permissions? Would they pay Deseret Book for every digital copy of Daisy, and if so, how much? If Deseret Book then sold the bundle, would they subtract the portion of profit from Daisy and pay Covenant for the other three? How would they track this? How would it work with combining ISBNs assigned to different entities? This was uncharted territory and many a brain was working on how to do this fairly, smoothly, and in the best way possible.
Meanwhile, I had turned in Shannon and Lisa Mangum, my editor, was polishing it up for publication in May of 2013. Some weeks ago I got a call from Deseret Book exploring the idea of letting Covenant publish Shannon. Because of the issues that had arisen in regard to Daisy not being produced by the same company as the other three, they were wondering if it wouldn't make everything simpler to have Covenant do all four. While Daisy had "worked" it had created some time consuming considerations none of us had anticipated. I wanted whatever would work best for the book and the series and all the people involved and the more we had talked, the more it sounded like my working with Covenant would be the best solution.
It was a few more weeks before the shift was made but as of now, Shannon is in the hands of the talented Samantha Millburn. It had already been edited by Lisa Mangum, so Sam is focusing mostly on typesetting and overall production. Because of the change, Shannon was pushed back to July of 2013 for release. Tori (by Julie Wright) is slated for October 2013, with Ilana (by Annette Lyon) and Ruby (by Heather Moore) to be released in 2014. I'm positive about the change and very much appreciate Deseret Book's willingness to forgo their position (which meant giving up significant revenue) and Covenant's willingness to take on the project (which meant shifting their production schedules.) I'm grateful to both companies for doing such a great job with the first set of books and I'm eager to have the second set come out as well.
The whole thing has also been a reminder of how much goes into a published work. So many people, so much investment, so much ability and time and passion and thought--all so that words can go out into the world and, hopefully, do some good.
Onward and upward, I hope you'll mark your calendars to get to know Shannon come July. :-)
Friday, March 29, 2013
Friday, March 8, 2013
Meeting with Book Club in Gilbert AZ
A couple of weeks ago I went to the ANWA Writers Conference in Mesa, AZ. My sis-in-law organized her book club to meet while I was in town. Members of her book club read at least one of the books from The Newport Ladies Book Club series.
The women took turns talking about one of the characters/books, and it was really interesting to hear what they had to say about each of the characters.We agreed that Daisy, Paige, Olivia and Athena felt like out friend.
I was able to share the news that we'd just plotted the REUNION book a few days before, and I was in the process of writing the first couple of chapters (before handing it off to the next co-author).
My sis-in-law served pumpkin pie and homemade hot chocolate after :-)
Some pics from the evening.
The women took turns talking about one of the characters/books, and it was really interesting to hear what they had to say about each of the characters.We agreed that Daisy, Paige, Olivia and Athena felt like out friend.
I was able to share the news that we'd just plotted the REUNION book a few days before, and I was in the process of writing the first couple of chapters (before handing it off to the next co-author).
My sis-in-law served pumpkin pie and homemade hot chocolate after :-)
Some pics from the evening.
Recent reads from the Gilbert book club include Edenbrook by Julianne Donaldson and The Guernsey Literary and Potato Pie Society by Mary Ann Shaffer and Annie Barrows. I've actually read both books and enjoyed them both.
Monday, January 28, 2013
What's Coming Next
With Athena, the last of the four 2012 books in the series, being released in November, we have many readers asking, "what's next?" We've been asked about whether or not there will be second installments of the four books or if we'll write about the other women in the group. The answer is yes and yes.
We have all completed our second 'set' of books in the series:
Ruby by Heather Moore (Romance)
Shannon by Josi S. Kilpack (Women's Fiction)
Ilana by Annette Lyon (Women's Fiction)
Victoria by Julie Wright (Romance)
They are all in the hands of our editors and timetables are being decided, covers coordinated, and semi-colons fixed (except for Annette's cause she knows her punctuation.) Shannon is expected for release in May, but we're unsure if one of the other books will beat it to press. Each of our careers are continuing forward and moving us in new directions that didn't allow us the same time together that we enjoyed so much the first time around, but we still very much enjoyed taking the journey with these new women as
These four books will be the final 'set' in the series, but we're not quite done yet. Because most of the books do not end with a tidy little bow in top, we will be working on a Reunion Book, where all eight women will get a few chapters each to give readers an update on what's happened since we last left them. We are very excited to put this volume together and hope that it will come out shortly after book 8. Stay tuned for more details. We'll have book information, release dates, first chapters, and covers posted here as soon as we get that information.
Thanks for all the great feedback we've had on the books--we sure do appreciate the support. It's been a labor of love and brought each of us so much enjoyment. Knowing it does the same for readers is frosting on the cake.
We have all completed our second 'set' of books in the series:
Ruby by Heather Moore (Romance)
Shannon by Josi S. Kilpack (Women's Fiction)
Ilana by Annette Lyon (Women's Fiction)
Victoria by Julie Wright (Romance)
They are all in the hands of our editors and timetables are being decided, covers coordinated, and semi-colons fixed (except for Annette's cause she knows her punctuation.) Shannon is expected for release in May, but we're unsure if one of the other books will beat it to press. Each of our careers are continuing forward and moving us in new directions that didn't allow us the same time together that we enjoyed so much the first time around, but we still very much enjoyed taking the journey with these new women as
These four books will be the final 'set' in the series, but we're not quite done yet. Because most of the books do not end with a tidy little bow in top, we will be working on a Reunion Book, where all eight women will get a few chapters each to give readers an update on what's happened since we last left them. We are very excited to put this volume together and hope that it will come out shortly after book 8. Stay tuned for more details. We'll have book information, release dates, first chapters, and covers posted here as soon as we get that information.
Thanks for all the great feedback we've had on the books--we sure do appreciate the support. It's been a labor of love and brought each of us so much enjoyment. Knowing it does the same for readers is frosting on the cake.
Monday, January 14, 2013
Interview with Deseret News, with reporter Hikari Loftus
In December, we had a great meeting with Deseret News reporter, Hikari Loftus. She was fascinated by the idea of a parallel-series written by four authors. We met at Mini's Cupcakes in Salt Lake City, which is incidentally a Cupcake Wars finalist.
Eating a few too many cupcakes, we had a great time recalling all that went into the series. As I listened to everyone chat, I marveled at how we pulled it all over. It was a three-year journey from idea to when the first 4 books in the series was completed and released.
We met on a December day in 2009 at Amber's Restaurant in Spanish Fork. That was the beginning of our brainstorming session:
Today, Hikari's article was released. I loved what she said here: "It is easy to make assumptions when you don't know the full story."
This is referring to meeting someone new and making an assumption about their lives or personalities. Once you get to know that person, you almost always change your first impression and your understanding and compassion for the person expands. This is a central theme of The Newport Ladies Book Club series. Compassion, friendship, and understanding.
For the full article in the Deseret News, go HERE.
Thanks, Hikari!
Eating a few too many cupcakes, we had a great time recalling all that went into the series. As I listened to everyone chat, I marveled at how we pulled it all over. It was a three-year journey from idea to when the first 4 books in the series was completed and released.
We met on a December day in 2009 at Amber's Restaurant in Spanish Fork. That was the beginning of our brainstorming session:
Today, Hikari's article was released. I loved what she said here: "It is easy to make assumptions when you don't know the full story."
This is referring to meeting someone new and making an assumption about their lives or personalities. Once you get to know that person, you almost always change your first impression and your understanding and compassion for the person expands. This is a central theme of The Newport Ladies Book Club series. Compassion, friendship, and understanding.
For the full article in the Deseret News, go HERE.
Thanks, Hikari!
Monday, January 7, 2013
We Just Don't Know
by Annette Lyon
I imagine that I'm like many writers in that often a certain theme will latch on to my psyche and find its way into my writing in different ways.
For me, the current theme my brain apparently loves looking at from different angles is that of judging others, and how no matter how much we think we know another person, including who they are and what they're going through, we really don't. Even when we have a lot of information. We just don't know.
I explored that theme extensively in my novel Band of Sisters, and it was something that came up again and again from readers who appreciated the book. (It went on to win a Whitney Award in its category; I think the idea hit a nerve for many people, in a good way.)
Going into the Newport Ladies series, I didn't realize how much the same concept would become a dominating element of not only my book, Paige, but of all the books.
For that matter, at its core, these books are about seeing the world, and often the very same situation, from a different point of view. I remember one reader saying that after reading Olivia, they felt that Paige was rather spineless and mousy. Until they read Daisy, and saw more scenes with her and realized that there was more to Paige than Olivia saw. That reader looked forward to the release of Paige so they could see the story from her perspective.
Fans of the books seem to frequently come back to the same thing. They appreciate the rare opportunity to see into someone else's head to understand what is really going on in there.
As time has gone on, I've wondered why this theme has resonated so much with me personally. After some time of pondering, I realized that, like so many of us, I've been misjudged at times in my life, and have wished I could explain, that I could crack open my brain so someone else could see what I see, feel what I feel, think what I think.
Part of my problem (and I'm aware it's mine, not something I can blame on anyone else) is that I'm horribly shy, but not in the classic way. If I'm in a room with even one good friend, I can be chatty and comfortable and look like I'm totally in my element. Just don't ask me to interact with the other 50 strangers in the room, and I won't have an anxiety attack.
I've realized that in some situations, people have viewed my behavior as stuck-up (their word, not mine), because, as far as they can see, I'm deliberately leaving others out of the conversation, that I'm "too good" for them.
The reality: I am paralyzed by shyness to the point that I have a painful time opening my mouth around people I don't know. The one exception is when I'm teaching a workshop. Somehow lecturing a room of people is different than engaging on an individual level. It's a different kind of scary. Instead of thinking I'm somehow better than others, I almost always see myself as not good enough, that I'm lucky to be allowed into the group of friends I have or other circles I'm in, and that at any moment, I could get kicked right out.
An example: My senior year of high school, I was walking across the commons with a friend I'd been on the drill team with for three years. Her mother was with us, and she said something like this: "I'm so glad we've gotten to know you over the years. You've been such a good friend to my daughter. You're just great. Good thing we had a chance to get to know you, though, because when I first met you, I thought you were totally stuck up."
I was 18, stunned, and ready to burst into tears. I had no idea why she'd thought those things about me (although I have my suspicions now--it was the shy thing), but to this day, I'm still stumped as to why she'd tell a teenager such a thing. I was devastated.
More than two decades later, I can look back and see her words as a blessing of sorts. This wasn't the first or the last time someone said something similar to me, but it was enough of a pattern for me to finally see that people viewed me a specific way even though it wasn't remotely close to reality.
Understanding how others have viewed me, and how they may view me in the future, has helped me in a couple of ways, but the most important is to recognize exactly what the Newport Ladies books have hammered home to me so well: That I shouldn't judge others, because chances are, I have no clue what's really going on in their heads and hearts.
For all I know, they could be inwardly shy, like me, and show it differently than I do.
In short, I'm reminded to give others the benefit of the doubt. I'm not perfect at it, but I'm learning. I hope that in some small way, our readers may look on other women, whether in their family, their neighborhood, or their community--and view them with a softer lens too.
I know doing so has been a great thing for me. Seeing people and the world from new perspectives is a wonderful gift fiction writers receive in spades.
I imagine that I'm like many writers in that often a certain theme will latch on to my psyche and find its way into my writing in different ways.
For me, the current theme my brain apparently loves looking at from different angles is that of judging others, and how no matter how much we think we know another person, including who they are and what they're going through, we really don't. Even when we have a lot of information. We just don't know.
I explored that theme extensively in my novel Band of Sisters, and it was something that came up again and again from readers who appreciated the book. (It went on to win a Whitney Award in its category; I think the idea hit a nerve for many people, in a good way.)
Going into the Newport Ladies series, I didn't realize how much the same concept would become a dominating element of not only my book, Paige, but of all the books.
For that matter, at its core, these books are about seeing the world, and often the very same situation, from a different point of view. I remember one reader saying that after reading Olivia, they felt that Paige was rather spineless and mousy. Until they read Daisy, and saw more scenes with her and realized that there was more to Paige than Olivia saw. That reader looked forward to the release of Paige so they could see the story from her perspective.
Fans of the books seem to frequently come back to the same thing. They appreciate the rare opportunity to see into someone else's head to understand what is really going on in there.
As time has gone on, I've wondered why this theme has resonated so much with me personally. After some time of pondering, I realized that, like so many of us, I've been misjudged at times in my life, and have wished I could explain, that I could crack open my brain so someone else could see what I see, feel what I feel, think what I think.
Part of my problem (and I'm aware it's mine, not something I can blame on anyone else) is that I'm horribly shy, but not in the classic way. If I'm in a room with even one good friend, I can be chatty and comfortable and look like I'm totally in my element. Just don't ask me to interact with the other 50 strangers in the room, and I won't have an anxiety attack.
I've realized that in some situations, people have viewed my behavior as stuck-up (their word, not mine), because, as far as they can see, I'm deliberately leaving others out of the conversation, that I'm "too good" for them.
The reality: I am paralyzed by shyness to the point that I have a painful time opening my mouth around people I don't know. The one exception is when I'm teaching a workshop. Somehow lecturing a room of people is different than engaging on an individual level. It's a different kind of scary. Instead of thinking I'm somehow better than others, I almost always see myself as not good enough, that I'm lucky to be allowed into the group of friends I have or other circles I'm in, and that at any moment, I could get kicked right out.
An example: My senior year of high school, I was walking across the commons with a friend I'd been on the drill team with for three years. Her mother was with us, and she said something like this: "I'm so glad we've gotten to know you over the years. You've been such a good friend to my daughter. You're just great. Good thing we had a chance to get to know you, though, because when I first met you, I thought you were totally stuck up."
I was 18, stunned, and ready to burst into tears. I had no idea why she'd thought those things about me (although I have my suspicions now--it was the shy thing), but to this day, I'm still stumped as to why she'd tell a teenager such a thing. I was devastated.
More than two decades later, I can look back and see her words as a blessing of sorts. This wasn't the first or the last time someone said something similar to me, but it was enough of a pattern for me to finally see that people viewed me a specific way even though it wasn't remotely close to reality.
Understanding how others have viewed me, and how they may view me in the future, has helped me in a couple of ways, but the most important is to recognize exactly what the Newport Ladies books have hammered home to me so well: That I shouldn't judge others, because chances are, I have no clue what's really going on in their heads and hearts.
For all I know, they could be inwardly shy, like me, and show it differently than I do.
In short, I'm reminded to give others the benefit of the doubt. I'm not perfect at it, but I'm learning. I hope that in some small way, our readers may look on other women, whether in their family, their neighborhood, or their community--and view them with a softer lens too.
I know doing so has been a great thing for me. Seeing people and the world from new perspectives is a wonderful gift fiction writers receive in spades.
Labels:
Annette,
Life Lessons,
Olivia,
Paige,
Perspective,
The Series
Monday, November 26, 2012
New Challenges: First Person
by Annette
For the non-writers out there, one of the big decisions novelists have to make before beginning a work is what point of view the story will be told in. The most common points of view in modern fiction are first person and close third person.
Third person is when scenes are told as "he said" and "she did' and so forth. Close (or tight) third person is what modern readers are most accustomed to reading, when individual scenes get into the head of one character at a time. Some books have multiple point-of-view (POV) characters, such as a romance where the scenes switch between the hero's POV and the heroine's POV.
A great example of tight third is the Harry Potter series, which is told almost exclusively from Harry's POV. We get a few scenes here and there (usually at the beginning of books) from other points of view (the prime minister, of Voldemort himself), but most of it is Harry's.
What we don't see in those books is first person.
First person is when the character is narrating the book as if it happened them personally. "I went to the store," and "I fell down." A popular series written in first person is The Hunger Games trilogy.
An odd quirk exists with first person: For several reasons, which I won't get into here due to space, first person tends to be one of the hardest POVs to do well.
Ironically, first person tends to be the POV of choice for beginning writers, because it seems like it'll be easy.
I have to raise my hand here as one of the newbies who thought first person would be easy. One of my early manuscripts was first person, and I loved the immediacy it brought to the story. But there were pitfalls, many of them, and eventually, I realized that the story would be served better by third person. I rewrote the whole thing (which, by the way, is almost as time-intensive as writing a whole new book), and it was eventually published.
That book was originally drafted close to fifteen years ago. After rewriting the whole thing, I pretty much swore off first person, knowing that (1) it lacked certain tools I liked to use as a writers and (2) I didn't have the chops to pull it off.
Enter The Newport Ladies Book Club.
I don't remember how the point of view discussion happened, but we agreed that each book would be in first person, from the title character's perspective.
Whoever had the idea first was right on the money: To show just how differently women see the world, and even the same situation, the books really did need first person.
So, after over a decade of swearing off the POV, I was faced with writing a book in first person. Yikes.
Turns out that writing and publishing a whole bunch of books and editing professionally for years helps hone a writer's skills. I'd learned a lot about the craft, and I didn't fall into the same pitfalls I had before.
For that matter, first person was fun while writing Paige. One of the best parts is that I didn't have to worry about how another character came across, which tends to be an issue with first person. The other characters had their own books to tell their stories! No, I had to worry about one character, and one character only: Paige.
Somehow I found myself diving into her mind and understanding her in a way I never expected. Early in the drafting process, I found myself slipping into third person here and there, but eventually, first person came naturally. The story flowed. I laughed with Paige. I cried with her. And when the end came, I was right there with her.
The only part that took a lot of work after that was the opening chapter, which I must have rewritten close to a dozen times before I felt it worked. But that's not a point-of-view issue. That's a me issue. Openings are my Achilles' Heel.
I had so much fun writing in first person, that my next work-in-progress adopted that POV without me giving it much thought. Then I wrote Ilana, also in first person, and also a great learning experience.
Alas, that other manuscript has fallen into the same pit at my initial first-person attempt: I've decided that it needs to be third person after all. I'm in the trenches of revision with it right now. While I'm sure I'll reach moments of wanting to bang my head against a wall in frustration, I know the end result will be worth it, and for now, as I write new scenes from a different POV (one that didn't exist originally), I'm having a ball, knowing that the story is coming to life in a way it hadn't before.
I don't know what points of view my writing future will hold, but for some reason, The Newport Ladies Book Club is where my first person efforts just work, and my other writing, at least, so far, does better in third.
Just one more example of how this whole project has taken on a life and certain magic of its own.
For the non-writers out there, one of the big decisions novelists have to make before beginning a work is what point of view the story will be told in. The most common points of view in modern fiction are first person and close third person.
Third person is when scenes are told as "he said" and "she did' and so forth. Close (or tight) third person is what modern readers are most accustomed to reading, when individual scenes get into the head of one character at a time. Some books have multiple point-of-view (POV) characters, such as a romance where the scenes switch between the hero's POV and the heroine's POV.
A great example of tight third is the Harry Potter series, which is told almost exclusively from Harry's POV. We get a few scenes here and there (usually at the beginning of books) from other points of view (the prime minister, of Voldemort himself), but most of it is Harry's.
What we don't see in those books is first person.
First person is when the character is narrating the book as if it happened them personally. "I went to the store," and "I fell down." A popular series written in first person is The Hunger Games trilogy.
An odd quirk exists with first person: For several reasons, which I won't get into here due to space, first person tends to be one of the hardest POVs to do well.
Ironically, first person tends to be the POV of choice for beginning writers, because it seems like it'll be easy.
I have to raise my hand here as one of the newbies who thought first person would be easy. One of my early manuscripts was first person, and I loved the immediacy it brought to the story. But there were pitfalls, many of them, and eventually, I realized that the story would be served better by third person. I rewrote the whole thing (which, by the way, is almost as time-intensive as writing a whole new book), and it was eventually published.
That book was originally drafted close to fifteen years ago. After rewriting the whole thing, I pretty much swore off first person, knowing that (1) it lacked certain tools I liked to use as a writers and (2) I didn't have the chops to pull it off.
Enter The Newport Ladies Book Club.
I don't remember how the point of view discussion happened, but we agreed that each book would be in first person, from the title character's perspective.
Whoever had the idea first was right on the money: To show just how differently women see the world, and even the same situation, the books really did need first person.
So, after over a decade of swearing off the POV, I was faced with writing a book in first person. Yikes.
Turns out that writing and publishing a whole bunch of books and editing professionally for years helps hone a writer's skills. I'd learned a lot about the craft, and I didn't fall into the same pitfalls I had before.
For that matter, first person was fun while writing Paige. One of the best parts is that I didn't have to worry about how another character came across, which tends to be an issue with first person. The other characters had their own books to tell their stories! No, I had to worry about one character, and one character only: Paige.
Somehow I found myself diving into her mind and understanding her in a way I never expected. Early in the drafting process, I found myself slipping into third person here and there, but eventually, first person came naturally. The story flowed. I laughed with Paige. I cried with her. And when the end came, I was right there with her.
The only part that took a lot of work after that was the opening chapter, which I must have rewritten close to a dozen times before I felt it worked. But that's not a point-of-view issue. That's a me issue. Openings are my Achilles' Heel.
I had so much fun writing in first person, that my next work-in-progress adopted that POV without me giving it much thought. Then I wrote Ilana, also in first person, and also a great learning experience.
Alas, that other manuscript has fallen into the same pit at my initial first-person attempt: I've decided that it needs to be third person after all. I'm in the trenches of revision with it right now. While I'm sure I'll reach moments of wanting to bang my head against a wall in frustration, I know the end result will be worth it, and for now, as I write new scenes from a different POV (one that didn't exist originally), I'm having a ball, knowing that the story is coming to life in a way it hadn't before.
I don't know what points of view my writing future will hold, but for some reason, The Newport Ladies Book Club is where my first person efforts just work, and my other writing, at least, so far, does better in third.
Just one more example of how this whole project has taken on a life and certain magic of its own.
Monday, November 19, 2012
Book Club Highlight: The GG's Book Club
by Heather Moore
Last week, I was invited to speak to a book club that was holding a retreat in beautiful Deer Valley, Utah. Book Club member, Mary Margaret, wanted to surprise the group of ladies with a guest author appearance. She also asked me to bring a couple of my books. Of course I brought ATHENA, knowing it would fit right in with a book club (wink, wink).
Once a year, the GG Book Club (The Giller Girls) travel to a destination for a weekend retreat. Their group was started in 2001 with six women in Ontario, Canada, and they continue to meet once a month to discuss books. The monthly meetings developed into close personal friendships, sharing recipes, reading great books, and eventually putting together their first retreat.
In fact, three of the women wrote a book about this incredible club that includes book club recipes, summary and ratings of books read, and their amazing adventures.
Now authors, Perry Jongsma, Pat Maaten, and Kathleen Mundy, are doing book signings and booking speaking engagements about their book club and book.
These ladies even put together a beautiful website for their book Reading Between the Wines: The Story of a Traveling Book Club: www.readingbetweenthewines.ca
The GG's Book Club uses the element of surprise in their meetings The hostess chooses the book in advance, and the ladies arrive not knowing which book they'll be presented with, or even in which manner it will be introduced--which has become quite a creative event.
They live by the GG's Book Club 10 Commandments:
1. You are priority #1. This is your night.
2. Fun is a must.
3. LOL (laugh out loud) at each other and yourself.
4. Digression is accepted and expected.
5. Never refuse a compliment or be reluctant to offer one.
6. What happens at GG Book Club stays at Book Club.
7. Read between the wines.
8. Where the boys aren't and never will be!
9. Never apologize for your book selection.
10. Completing the book is expected but not mandatory.
Favorite Book Club reads include:
During our discussion, the energy and the friendship between the women was tangible. And it reminded me of why my co-authors and I decided to write The Newport Ladies Book Club series in the first place. Not only because we were friends and had enjoyed enriched lives because of it, but because we wanted to write about one of the greatest blessings in our lives. Then transfer that to characters in a book club who are brought together for a single common purpose in the love of reading, but walk away with so much more.
Last week, I was invited to speak to a book club that was holding a retreat in beautiful Deer Valley, Utah. Book Club member, Mary Margaret, wanted to surprise the group of ladies with a guest author appearance. She also asked me to bring a couple of my books. Of course I brought ATHENA, knowing it would fit right in with a book club (wink, wink).
Once a year, the GG Book Club (The Giller Girls) travel to a destination for a weekend retreat. Their group was started in 2001 with six women in Ontario, Canada, and they continue to meet once a month to discuss books. The monthly meetings developed into close personal friendships, sharing recipes, reading great books, and eventually putting together their first retreat.
In fact, three of the women wrote a book about this incredible club that includes book club recipes, summary and ratings of books read, and their amazing adventures.
Now authors, Perry Jongsma, Pat Maaten, and Kathleen Mundy, are doing book signings and booking speaking engagements about their book club and book.
These ladies even put together a beautiful website for their book Reading Between the Wines: The Story of a Traveling Book Club: www.readingbetweenthewines.ca
The GG's Book Club uses the element of surprise in their meetings The hostess chooses the book in advance, and the ladies arrive not knowing which book they'll be presented with, or even in which manner it will be introduced--which has become quite a creative event.
They live by the GG's Book Club 10 Commandments:
1. You are priority #1. This is your night.
2. Fun is a must.
3. LOL (laugh out loud) at each other and yourself.
4. Digression is accepted and expected.
5. Never refuse a compliment or be reluctant to offer one.
6. What happens at GG Book Club stays at Book Club.
7. Read between the wines.
8. Where the boys aren't and never will be!
9. Never apologize for your book selection.
10. Completing the book is expected but not mandatory.
Favorite Book Club reads include:
The Glass Castle by Jeannette Walls
The Thirteenth Tale by Diane Setterfield
When I asked them what the secret to running a book club for over ten years, they said it was willingness to try new books, commitment to the club, and being able to accept each others' differences.
During our discussion, the energy and the friendship between the women was tangible. And it reminded me of why my co-authors and I decided to write The Newport Ladies Book Club series in the first place. Not only because we were friends and had enjoyed enriched lives because of it, but because we wanted to write about one of the greatest blessings in our lives. Then transfer that to characters in a book club who are brought together for a single common purpose in the love of reading, but walk away with so much more.
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