Cover Reveal: Ilana's Wish

We're only about eight weeks away from the release of Ilana's Wish, the final stand-alone novel in the series!

Here's the cover:

I can hardly believe we made it this far. It's been both a very long and very short journey, as so many things in life are. Most of all, this series has been a blessing for me.

After Ilana's Wish, only one more book awaits: Reunion, which, as we've mentioned before, was co-written by all four of us, round-robin style. It's been officially submitted, and if all goes as planned, readers will finally get to see what happens to all eight women and where they end up. We've had readers asking, especially those without everything wrapping up in a tidy bow at the end of their books like Paige and Daisy. I'm pleased with how Reunion turned out, and I think readers will be happy with it too

Remember, Victoria's Promise is in stores and available on Kindle now, and Ilana's Wish will be released in April!

Writing Round Robin

by Annette Lyon

If there's anything that writing something a extensive as the Newport Ladies Book Club has taught the four of  us, it's how to write differently. We've set aside our typical ways of writing and plotting and learned from each other as we've come up entirely new ways of writing as we've collaborated on the series.

The second set of books (about Shannon, Victoria, Ilana, and Ruby), are already written, and as Josi mentioned recently, some this set will have some changes, including titles that are more than the characters' names.

We're now in the stage of drafting the long-promised reunion book, which has been a total blast . . . in yet a totally different way.

Picture this: The reunion book (as yet untitled), will be written by all four series authors. And it will feature all eight book club members, showing  where they've traveled since we last saw them, and where they end up.

All in one book.

(Daunting, no? A little bit!)

I know that with Daisy and Paige not ending all tied up in pretty bows, readers are eager to learn where they end up. I have a feeling that when readers see the next set of books, they'll have similar questions about some of the other characters, too.

Because the reunion book is totally different than the series itself, we needed a new way of working on it.

We started out by meeting together one day and hammering out an outline that included the entire arc for each character and how the different characters interact and influence each other. The challenge: Finding a way to resolve all eight stories in a short space in a way that will feel organic and satisfying rather than overwhelming and chaotic to the reader.

By the end of that first day, we'd taken a ton of notes, and, I think, had a solid game plan for creating an awesome final volume.

Up next came actually writing the book, which is in progress but moving right along. The master file began with Heather as she began the book with a chapter about Athena. Then she passed it on to the next person, and the next, and the next, round-robin style. Each writer edits and comments on the chapters that came before to help polish them up and  maintain consistency in timeline and plot, and then they move forward with  drafting the next chapter of their character's story before passing the file on to the author in charge of the next chapter's main character.

Each chapter begins with the name of the character it focuses on, and those chapters are written by the same authors of the original books about those characters. (So I write the chapters about Paige and Ilana, and Josi writes about Daisy and Shannon, and so on.)

By the time we're done with the round-robin drafting phase, we should have a solid book that's already been revised on some level three or four times.

It's so much fun to be working on these stories, especially after looking back over the years and seeing what a long way this project has come, from a germ of an idea back in 2008 to a series that will have nine total volumes.

I am continually amazed at what we've accomplished working as a team, and with the reunion book, we're once again writing something unique in a way totally new to us.

I'm excited for the end product, and I'm positive readers will come away happy with where their favorite characters ended up!

We Just Don't Know

by Annette Lyon

I imagine that I'm like many writers in that often a certain theme will latch on to my psyche and find its way into my writing in different ways.

For me, the current theme my brain apparently loves looking at from different angles is that of judging others, and how no matter how much we think we know another person, including who they are and what they're going through, we really don't. Even when we have a lot of information. We just don't know.

I explored that theme extensively in my novel Band of Sisters, and it was something that came up again and again from readers who appreciated the book. (It went on to win a Whitney Award in its category; I think the idea hit a nerve for many people, in a good way.)

Going into the Newport Ladies series, I didn't realize how much the same concept would become a dominating element of not only my book, Paige, but of all the books.

For that matter, at its core, these books are about seeing the world, and often the very same situation, from a different point of view. I remember one reader saying that after reading Olivia, they felt that Paige was rather spineless and mousy. Until they read Daisy, and saw more scenes with her and realized that there was more to Paige than Olivia saw. That reader looked forward to the release of Paige so they could see the story from her perspective.

Fans of the books seem to frequently come back to the same thing. They appreciate the rare opportunity to see into someone else's head to understand what is really going on in there.

As time has gone on, I've wondered why this theme has resonated so much with me personally. After some time of pondering, I realized that, like so many of us, I've been misjudged at times in my life, and have wished I could explain, that I could crack open my brain so someone else could see what I see, feel what I feel, think what I think.

Part of my problem (and I'm aware it's mine, not something I can blame on anyone else) is that I'm horribly shy, but not in the classic way. If I'm in a room with even one good friend, I can be chatty and comfortable and look like I'm totally in my element. Just don't ask me to interact with the other 50 strangers in the room, and I won't have an anxiety attack.

I've realized that in some situations, people have viewed my behavior as stuck-up (their word, not mine), because, as far as they can see, I'm deliberately leaving others out of the conversation, that I'm "too good" for them.

The reality: I am paralyzed by shyness to the point that I have a painful time opening my mouth around people I don't know. The one exception is when I'm teaching a workshop. Somehow lecturing a room of people is different than engaging on an individual level. It's a different kind of scary. Instead of thinking I'm somehow better than others, I almost always see myself as not good enough, that I'm lucky to be allowed into the group of friends I have or other circles I'm in, and that at any moment, I could get kicked right out.

An example: My senior year of high school, I was walking across the commons with a friend I'd been on the drill team with for three years. Her mother was with us, and she said something like this: "I'm so glad we've gotten to know you over the years. You've been such a good friend to my daughter. You're just great. Good thing we had a chance to get to know you, though, because when I first met you, I thought you were totally stuck up."

I was 18, stunned, and ready to burst into tears. I had no idea why she'd thought those things about me (although I have my suspicions now--it was the shy thing), but to this day, I'm still stumped as to why she'd tell a teenager such a thing. I was devastated.

More than two decades later, I can look back and see her words as a blessing of sorts. This wasn't the first or the last time someone said something similar to me, but it was enough of a pattern for me to finally see that people viewed me a specific way even though it wasn't remotely close to reality.

Understanding how others have viewed me, and how they may view me in the future, has helped me in a couple of ways, but the most important is to recognize exactly what the Newport Ladies books have hammered home to me so well: That I shouldn't judge others, because chances are, I have no clue what's really going on in their heads and hearts.

For all I know, they could be inwardly shy, like me, and show it differently than I do.

In short, I'm reminded to give others the benefit of the doubt. I'm not perfect at it, but I'm learning. I hope that in some small way, our readers may look on other women, whether in their family, their neighborhood, or their community--and view them with a softer lens too.

I know doing so has been a great thing for me. Seeing people and the world from new perspectives is a wonderful gift fiction writers receive in spades.

How the Collaboration Worked

by Annette Lyon

I cannot count the number of people who have learned about the Newport Ladies Book Club and then come to me asking how in the world I can collaborate on a project of this magnitude . . . and still love my cowriters. Some of these people have worked on collaborations that have caused them to want to pull their hair out, and, in some cases, they've lost friendships over collaborations.

The answer, for me, comes down to (1) how the project worked (2) who my cowriters are. Those two things have made the project not only not frustrating, but an absolute joy.

Today, I'm talking about how the writing the series worked in the first place.

How Writing the Newport Books Worked

If we'd tried to write one book by four people, I doubt it would have worked out too well. That's too many fingers in the pot, too many opinions and points of view.

But that's not what happened. We have four distinct books with four distinct voices. No one told me what I had to write or boxed me in, choosing my character and plot for me.

Instead, as we brainstormed together, we each came up with a character we were excited about fleshing out, a woman with a specific problem we each thought would be interesting to delve into and pick apart.

Once we had our main characters and their primary conflicts, we had to figure out how each character's story intersected with every other character's, because without that element, we wouldn't hit the target of what we were trying to accomplish.

One of the next things to choose was the books the club reads, and then each of us was assigned to do the primary writing for one of the book club scenes. Those scenes were then forwarded to the others, and we'd rewrite them completely from our character's point of view, often adding details another character wouldn't know, or cutting details that didn't matter as much to our character's story.

The same went for any shared scenes. No spoilers, but to give you an idea: there are scenes between just Daisy and Paige, ones between Paige and Athena, and Paige and Olivia. Sometimes I wrote the scene first and passed it on to the person writing the other character. Sometimes the other person did, and I rewrote it from Paige's point of view. It worked so seamlessly that I've pretty much forgotten which scenes I didn't draft first.

As we fleshed out the stories and wrote more, we found additional things to nail down, like where each character and minor character lived. Heather was particularly helpful with that, as she's lived in the general Newport area, so we as stared at maps, she could point out where Paige would be able to afford an apartment, and maybe where her in-laws lived, how far away Ruby (the founder of the club) lived from each character, and so on.

We tried to get together about once a month to coordinate stories and do marathon writing sessions. Part of this was because we were all working on other projects as well, and the Newport books were "play time." When we got together, we could set aside other projects and focus just on these books.

Josi near the end of a writing day, after our

late lunch/early dinner, writing Daisy at a hotel.

A typical marathon writing day/weekend looked like this:
-Meet at a Utah County library as soon as it opened (the most central location for us).

-If possible, get a study room, where we could talk and hash things out instead of having to be silent.

-Write like mad, with breaks to spitball and ask questions (if we were in a room), until about 3PM.

-Break for a late lunch/early dinner at a local restaurant. (Most commonly, Zupas or Olive Garden.)

-Those who could stay overnight then checked into a local motel and brought along snacks to last us the night. We changed into pajamas and wrote, wrote, wrote, until we were bleary-eyed and brain dead, usually around midnight. Sometimes not all of us could stay the night, but often those who couldn't still came to the hotel to write in the room for a few hours.

-Wake up around 7AM and write like crazy until it's time to pack up and check out.


Heading off to write after the kids were in school on Friday and then coming home by noon the next day, proved to be a way of getting time to work on the project with my coauthors with relatively minimal impact on my family. (A must.)

During our writing days, we'd often lift our heads from our keyboards and ask things like, "What kind of car does Daisy drive again?" and, "Where does Paige's ex live?" We Googled constantly to learn about all kinds of things, like Greek Orthodox funerals. We found a website with the exact church to use. I used Google Earth to see, up close, the bookstore Paige finds the book club flier in. And so on.

Once, when Josi and I were in the room alone briefly, she said that the storyline for Daisy would work out better if Olivia's mom was dead, and if Olivia had stepchildren and was a grandmother. I agreed, and then we both hunkered down to write more.

That day, Julie was in the middle of finishing another writing project, so while she was with us, she wasn't working on Olivia quite yet. After the conversation Josi and I had, Julie came into the room, and we informed her that oh, by the way, Olivia's mom is dead. Hope that's okay. And she's got stepkids and grandkids.

Julie got a deer-in-the-headlights look for a second, but as she pondered the idea, it grew on her. Next thing we knew, she'd written a story that not only included those things but hinged on them. And, of course, Olivia turned out to be a totally awesome book.

Julie working on Olivia at the hotel.

I think one reason the process worked so well is that we uncovered a different way to write. We've all been doing this for a long time; it's easy to fall into a rut. But this was fresh and challenging in a new way. We genuinely enjoyed the process and were excited about the books, and I think that excitement and passion shows in the final products.

Personally, working in other people's characters and scenes into my own book was a different kind of challenge, and one that was a blast and which stretched me as a writer.

I can say without question that this project has been a highlight of my writing career, and one I'm so grateful to have been part of. It's been a blessing to me in many ways, not the least of which is discovering just how amazing my writing friends are.